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Interviews

Interviews

Interviews

Moon Best of Greece: Joanna Kalafatis Talks Food, Sustainability, and Top Destinations

I am a Greek-American travel writer and actress who has lived and traveled between Greece and the U.S. my whole life, in addition to visiting over 50 countries for work and pleasure. It had always been my dream to write a travel book on my homeland; not only to showcase its stunning diversity of landscapes and culture to readers and potential visitors, giving them a glimpse of many different regions, but also to learn about and connect to every aspect of Greece and Greek life that I could. So when Moon Travel Guides put out a notice that the company was looking for travel writers for a guide to Greece, I responded immediately. After a lengthy application and interview process, I was informed I got the job! I appreciated writing this guide in collaboration with Moon, as they were very open to suggestions - like the inclusion of Epirus in the guide - and wanted a local perspective, which is the kind of book I had always wanted to write. 1. Greece is known for its culinary delights. How did you incorporate food and dining recommendations in your guide? When I visited each region, I used a combination of local suggestions - which were the most important - and prior research on forums and websites to discover what the likely candidates were for the area's best restaurants. I always tried to focus on locally-owned and operated establishments, so I could be sure my travel guide recommendations would benefit local businesses and keep tourist money in the Greek economy. I then visited as many as I could to experience them myself, and selected a handful for inclusion in the book. I also spoke with Moon about including a chapter on food in general - particularly regional specialties and cuisines around the country - so people around the world could get a sense of the wide variety of dishes Greece has to offer. Reflections in Ioannina Lake | © Joanna Kalafatis 2. Traveling responsibly and sustainably is increasingly important. Did you address this aspect in your guide, and if so, how? Very much so. On the most basic level, I included plenty of recommendations for how to care for the environment and ancient sites when hiking and visiting monuments. But on a larger scale, the most important thing to me was recommending locally-owned businesses in my guide, so the suggestions I included would benefit local business owners and families. That's one thing people tend to forget when talking about sustainability; economic and environmental sustainability are usually intertwined. Local, more small-scale enterprises statistically do a better job of operating efficiently and in an eco-friendly way; not only are they operating with lower margins than international conglomerates, and so can't afford to be as wasteful, but they also live in the area they operate in, so it's in their best interest to manage the environment in a better way. The great thing about Greece is that over 90% of tourism businesses - from restaurants and cafes to hotels and tour operators - are locally owned, which is uncommon for tourism-oriented economies. So it made it easy to make over 95% of my recommendations, local enterprises. I also believe a big part of making Greek tourism sustainable is directing people towards a variety of destinations, so you don't have a handful of places like Mykonos and Santorini getting overly crowded and pricing out locals, while other equally beautiful destinations fail to benefit from the tourism economy. A more equitable spread of tourism across the country helps to ease overcrowding and spread money around the different regions of Greece. Nafplio Square | © Joanna Kalafatis 3. With the rise of digital resources and apps, what role do you see traditional travel guides like yours playing in the modern travel landscape? Digital resources are a great way to get answers to specific questions about a destination and lists of places to visit. Strangely though, even with the rise of digital apps and sites, traditional travel guides are still going strong; in fact, they're making a bit of a comeback. In today's hyper-digital world, there's something that feels comfortingly old-school about a travel guide you can carry with you. People open travel guides and are transported to a whole new place, one they slowly get to learn about while leafing through the guide's pages, increasing enthusiasm for a potential trip there. 4. How did you decide which destinations and attractions to include in your guide, considering Greece's diverse offerings? The destinations were decided on in collaboration with Moon. They had a list of some of the most popular destinations around Greece they wanted covered - like the southern Peloponnese, Thessaloniki, and others - but were also very open to my ideas and suggestions. It's partly why they usually hire guide writers who are already familiar with a country, or live there and speak the language. I pushed for a chapter on Epirus - one of my favorite places in Greece and truly an undiscovered gem for most international tourists - and a food chapter. I also included places in the Peloponnese that are more popular among locals than international tourists, so it could be a real local-influenced guide to Greece. Joanna in Epirus

07/04/2025
Moon Best of Greece: Joanna Kalafatis Talks Food, Sustainability, and Top Destinations
Interviews

The Magical Café of Symi Island: Interview with Thalia Laughlin

My name is Thalia Laughlin and I have been living nomadically for the past few years. My background is in music, but I am also a published author, passionate about the intersection of art, literature and pedagogy. I arrived in Symi by chance and, like so many other people before me, fell in love. Together with my partner Mark Christou, we decided to write a children’s book to capture the magic of Symi. We specifically designed this book to ignite the creative spark in children and promote emotional intelligence through storytelling. 1. What inspired you to set your book on the island of Symi? Arriving to Symi for the first time along my travels, I was instantly enveloped in a tight-knit community where warmth and hospitality were woven into every interaction. From friendly greetings to shared laughter, the island exuded a sense of camaraderie that made me feel instantly at home. Like so many others before me, I was immediately in awe of Symi's natural beauty and its sense of community, which became the main inspiration for “The Magical Café of Symi Island.” We have tried to recreate the magic of Symi but in a way that children can understand it. 2. Can you give us a glimpse into the world you've created within this Greek island setting? What are some of the key locations or landmarks that play a role in the story? What really makes the island unique are the people: the warm welcome by the shop owners, the fishermen, the café owners, and the Yiayias and Papous who are always willing to lovingly share the history of their island. In Symi, coffee shops take a central place in daily social life: it is in cafés that business meetings occur, that old and new friends meet, that important events happen. It is in coffee shops that everyone sits for hours, watching the world go by. And so many of the coffee shop owners in Symi share their warmth and positivity through every cup of coffee. In “The Magical Café of Symi Island,” Maroula does exactly this with every visitor who walks through her doors and it is through these interactions that young readers are introduced to Greek culture, food, friendship, and the magic of international discovery. 3. Are there any particular challenges or joys you experienced while crafting a story set in such a unique and picturesque location? One of our biggest joys in publishing “The Magical Café of Symi Island” was seeing it in the hands of children and adults who know Symi well—either because they are from there or because they often visit—and who found delight in trying to recognize places from the island in the book, likening some of the book’s characters to real people living in Symi. This is the first book written for children about Symi and the momentum it has created both on the island but also throughout Greece and internationally has been heartwarming and very exciting. 4. Illustrations can be a powerful way to bring a setting to life. Can you tell us about the illustrator's contributions to capturing the essence of Symi in your book? The illustrations were particularly fun to create because they were made using Midjourney which is a software that uses artificial intelligence to create illustrations based on prompts. Visually, Symi itself is so colourful in real life that the software created very realistic and vibrant illustrations of the island.

08/04/2024
The Magical  Café of Symi Island: Interview with Thalia Laughlin
Interviews

TWO TICKETS TO GREECE: Interview with the writer-director Marc Fitoussi

1) What inspired you to create this film? What is the main message of the story? The desire to offer a truly tender and optimistic comedy in these gloomy times. The character of Magalie opts for lightness and I would like spectators to leave each screening with this same wish. 2) What attracted you to the Cyclades and inspired you to shoot the film? Magnificent and still-authentic landscapes. I discovered these islands during a vacation and found that there was a real playground there that was both very cinematic and varied. 3) How long did it take for you to complete the shooting? We actually went from island to island for 30 days. So for the whole team it was also a real road movie with its difficulties, its unexpected events... A sort of odyssey full of twists and turns. 4) What did you enjoy most while shooting in Greece? Did you single out something in particular? Many of the film's crew were Greek. A great way to learn a little more about this country, and to go beyond the sometimes postcard aspect... The atmosphere in any case was studious but very joyful. The Greeks know how to party. 5) Are you planning on shooting any other film around Greece? Already, I'm sure I want to go back there on vacation and why not imagine a sequel to this film... I would really like to film on the island of Milos which I find sumptuous. 6) Palace Films Australia is currently running a contest allowing Australians who see TWO TICKETS TO GREECE the opportunity to win a trip for two to Greece, including Santorini and Amorgos. What would you recommend the winners do or see when they are there? The monastery that Blandine visits in Amorgos is unmissable. It's truly a magical place. Also in Amorgos, there is this taverna in the town of Chora called Transtoraki which serves delicious food. Finally in Santorini, beyond the sublime Caldera, you have to take a trip to Red Beach... Two Tickets To Greece releases in Australian and New Zealand cinemas on 26 Dec 2023.

11/12/2023
TWO TICKETS TO GREECE: Interview with the writer-director Marc Fitoussi
Interviews

Chrisa Giorgi: How I got involved with Greek Wines

What inspired you in order to make wine documentaries? Do you have any personal experience with wine making? I am a Cretan born and raised and I say that in every chance I get! I studied Political Science and had my Masters in Political Analysis at the University of Crete. I worked as a journalist in radio stations and newspapers while I got into the world of wine through Wines & Spirits Educational Trust (WSET) reaching the Diploma level. I live in Baltimore where I have my own movie production company “Wine Cellar Stories” and I present my movies along with wine tasting experiences for private clubs and industry customers. I decided to make a documentary about the Greek wine when I saw how little Greece is mentioned in the wine books of the wine educational organizations (Wine & Spirits Educational Trust- WSET, Court of Masters Sommeliers, Wine Educational Council, etc) In reality I tried to create a documentary about Greek wine but when I realized the plethora of wine grapes that Greece has, then I decided to produce geographical focused documentaries so that I could introduce to the English speaking audience, what is the Greek vineyard. So the first documentary was dedicated to Crete and the next one focuses on Kefalonia. What can we expect by watching your documentaries? My documentary films aim to demystify Greece as a winemaking region and offer a rare insider glimpse into the indigenous grape varieties and the wines they produce. Through a colorful mosaic of stories, the viewer travels in the vineyards found in the valleys and the mountains of Greece and discovers the secrets of indigenous grape varieties, and learns the winemaking philosophy of passionate producers. What is your target audience? Initially I made my documentaries with wine students in mind, like me, who wanted to deepen their knowledge in winemaking regions off the beaten path. But after the international success of my documentaries I realized that my target audience is wine lovers or people who like to pair their travels, food and wine with history and culture. Tacκling the subject of wine making in Greece is heartwarming. How do you think Greek wines will make themselves "worldwide unique", especially for people who don't know much about the quality of Greek wines? Before making my documentaries, I wanted to test the hypothesis that the consumer is interested to learn more than the wine characteristics, the personal history of the winemaker, the so-called storytelling. So I took a job at a wine shop in the United States, so that I can have direct contact with the consumers. This experience taught me that the consumers are not only interested in the winemaker’s personal story but their wine purchasing behavior is influenced by how much of their personal history the winemakers were sharing on their webpages. This surprised me in the beginning but I now know that the consumers buy based on emotions not logic. In a competitive market such as wine, one needs more than a good wine and a nice looking label to win, to move the consumer. One needs to put a little of their personality, their personal story and a little of their soul. This is what I am trying to do through my films about Greek wine: through sharing the personal stories of the winemakers, to have the consumer be charmed and then find and buy Greek wine abroad and then visit Greece. Which wine moment will forever be engraved in your heart? Did you learn something special while in the making? Something that is forever engraved in my heart is the look of the people of the wine. They look at you straight in the eye with a clean and peaceful gaze, as if they have found the meaning of life. Something that moved me is when I realized that the good wine comes from a vine that has gone under some stress. When for example the vine doesn’t find water, it will grow its roots to search for water, making more concentrated grapes that will give more concentrated wines. What the vine has taught me is that: no pain, no gain! Greek wines carry the honesty and passion of their makers and have the power to transport you to Greece from the first sip.

24/07/2023
Chrisa Giorgi: How I got involved with Greek Wines
Interviews

An interview with the film director Georgios Dimitropoulos

What is the film “Melissanthe” about? G. Dimitropoulos The film tells the story of the ancient Greek nymph Melissanthe and her unmatched love for nature, the flowers and the bees. With this cinematic poem, we travel through time, learn, feel, experience the wisdom of ancient times, and are reminded that in all things of nature.. even with the smallest of the living creatures.. there is something of the marvellous. The allegories between the past and the present are ever relevant and powerful. The myth of “Melissanthe” is an inspired symbolism of true love, destiny, and harmonious coexistence between all living things. The film was shot entirely on the beautiful island of Kefalonia, raising awareness of our planet’s extraordinary biodiversity and the need for its protection. It is a cinematic documentary dedicated to the majesty and beauty of nature as told to us by ancient myths and legends, reminding us that we can live in harmony with nature just as our ancestors did for thousands of years. What was the inspiration for the film? G. Dimitropoulos I'm particularly drawn to cinematic poetry based on ancient mythology and story-telling. There is something beautiful and elegant in experimenting with allegorical concepts, exciting the audience, and provoking creative thinking without preaching to the viewer, keeping them engaged and inspiring them to realize their own conclusions in their own way. The audience has indeed a very special relationship with the documentary form, and it is that challenge of keeping the right balance between documenting stories, and events, educating, inspiring and entertaining that empowers me as a filmmaker. Have you created other similar films? G. Dimitropoulos "Melissanthe" is part of the documentary series "Biodiversity in Crisis". The pilot of the series was “Ersis”. A film dedicated to the unparalleled natural beauty of mountainous Greece, its myths, history, and legends. It was filmed at Lake Plastira, an area of special natural beauty with an impressive synergy of human intervention and nature. The cinematic documentary film is based on ancient legends, myths, and deities that deliver a sense of symbiosis and ethos. Our ancestors managed to co-exist in harmony with nature, and I explore that notion in my film through symbolism and timeless concepts that are as relevant as ever. Who contributed to the film “Melissanthe”? G. Dimitropoulos There is an international team that works tirelessly to create these cinematic films. I teach filmmaking at a University and am fortunate to lead a passionate and talented team of filmmakers, research scholars and creatives. Giorgos Gerontopoulos wrote a beautiful poem based on the myth of Melissanthe. Actress Sabine Crossen narrated the poem and assumed the role of the ancient Greek Nymph with her wonderful voice. What is the message of “Melissanthe”? G. Dimitropoulos The film’s main focus is observing how our ancestors managed to live in harmony with nature two and three thousand years ago. While we are technologically advanced, sometimes our arrogance and blind fate and reliance on technology make us ignore and forget our history. It seems that we have lost this harmonious coexistence of humans and nature. Melissanthe, the nymph who protects blossoms, flowers and bees, was seduced by God Panas. The nymph fell in love with him, and in this allegory, God Panas is “us humans” today: our technology, noise, consumerism, and pollution. The decrease in the world’s bee population is one of the negative side effects of our unsustainable need for industrial growth and thirst for economic power. Pollution, overharvesting, pesticides, and climate change are some of the factors responsible for significantly reducing the bee population across the planet. This is a problem without borders. Bees are the ones who pollinate and contribute to the maintenance of a healthy food chain. Bee pollination enables the reproduction of plants that feed billions of creatures. The film raises awareness of the issue through its allegories. Melissanthe, the nymph who for centuries was thought to have jumped into the waters of Lake Melissani and died, was in fact, alive, sleeping at the bottom of the lake. At some point, she emerged from the waters to find her beloved bees. The message of this film is that there is hope and solutions if we are humble enough to study our history, reflect, learn from past mistakes and determine our future in harmony with nature and our planet. Has the film been submitted to any film festivals? G. Dimitropoulos The film participated in various international film festivals and has collected twelve awards in total. It received positive reviews from festivals specializing in nature and the environment. The positive feedback from critics motivates the whole team to continue creating new films highlighting Greece's rare beauty and history. During our long and exciting film journey, we were asked many questions about Kefalonia island, Greece, and its myths and history. We realized that audiences see Greece not only as a beautiful all-year-round destination with outstanding natural beauty and unique biodiversity but also as a place with a long history and rich culture that is profoundly inspiring and fascinating. It was exciting to hear film critics and members of the audiences alike express their desire to visit and explore Greece, not just for the sun and the sea and nature but for the whole experience of Greek history, mythology, culture, and arts. The film’s messaging is so important. Have you considered screening your film at schools? G. Dimitropoulos We have been asked to screen the film in my university’s associated schools. The schools are interested in screening it because it is short in duration and is suitable for young children. It’s genuine, relevant and conveys an important message. Raising awareness and spreading the message of protecting our planet's environment and biodiversity has always been my goal and the film’s main focus. We would be delighted to enable and allow screenings of our documentary films in schools everywhere. If there are schools in Greece that would like to use the films, it would be a pleasure and a privilege to make this happen. Are you planning to create new documentary films? G. Dimitropoulos We continue with the production of documentaries in various thematic fields in relation to ecology, technology, and science, as well as the production of dramatized documentaries (docudrama) with historical content. Such documentary films offer different perspectives, share knowledge and experiences, promote specific themes, regions, history, and nature, and raise awareness of emerging problems and possible solutions. The educational nature of documentary films deserves our wider support. We would like to invite researchers, scholars, professionals, leaders, creatives and filmmakers to join our not-for-profit initiative and our international team to create content and tell stories that are worth telling, worth sharing and worth spreading!

22/12/2022
An interview with the film director Georgios Dimitropoulos
Interviews

Opposite or Next to?

An interview of the Visit Greece team with the photographers Dimitris, Petros and Konstantinos Sofikitis regarding the exhibition “Kerkini, Opposite or Next to” that was held at the Olympic Gallery in Marousi from April 13  to May 13, 2022. 1) What inspired you in order to conduct this exhibition? Is there more than meets the eye? Why did you choose the title “Opposite or Next to” for the exhibition? It was an idea we had been discussing over the years. Our father first began with the entity “Onirama” (Dreaming) that started in the winter of 1999 and was completed in the winter of 2000. In the following years we revisited Kerkini often and for different reasons such for the filming of “The Weeping Meadow”, a film by Theo Angelopoulos, during which we found ourselves behind the camera on many occasions. In January 2019 we were informed by the wonderful people from the area that the lake had frozen over and the surrounding area had been covered in snow, a phenomenon which hadn’t occurred in over 15 to 20 years. This was the reason for yet another visit and the one which prompted myself and my brother Kostantinos to create an entity of our own. Each of us inspired from the experience of spending time at lake Kerkini. After seeing the lake take on such a different form, we were inspired to explore our own untrodden creative journeys. In my entity with the balloon (Petros), the reflection shows a traveler who is called upon a never-ending journey with many obstacles and yet he always finds a way to overcome them and keep on going. His companion is a red balloon that represents his childhood memories. A companion who calls upon him to return to that age of innocence, when everything was calmer and simpler, so that he is able to choose his next steps wisely and continue on his journey despite the challenges obstacles. In Constantino’s entity with the aerial images, one could say they mirror the complexity of people’s inner worlds. The complexity of the brain’s neurons, the endless branches of the nervous system, a woman’s womb, and more. One could suggest his photographs reflect his own internal disposition during that period but also the chaotic psyche of the human brain as seen through the eyes of the artist.For our father, as he himself has suggested, ‘Onirama’ ‘Dreaming’ is ‘a love affair and a personal journey to discover the ultimate journey. A lonely journey for the most part. Codes of communication become part of the protagonist’s past, perhaps they were never needed in the first place. They meet and travel whilst dreaming. Together and alone, perhaps they will cross paths at some point…’ ‘Opposite or Next to’ is a poetic title suggested to us by proofreader Christina Kiparissa who studied and examined each photographic entity and our relationship as father and sons, as brothers, as children,as companions on the journey of life, of our artistic pursuits and how these have changed, evolved and taken shape over the years. 2) What prompted you to choose lake Kerkini and what inspired you to create this unique video? What does lake Kerkini mean to each of you? We would say our long-standing relationship with the specific location and its people. A place that transforms with every visit giving us the joy of discovery each and every time.  The video is a result of all the times we visited the lake. The footage was so beautiful and abundant that we had to make good use of it somehow! A journey for Petros, a discovery for Constantinos and a memory for Dimitris. 3) Seeing the exhibition, the spectator can assume that each one of you has his own unique style and particular direction. If you had to characterize in a few words that direction, what would it be and why? There is a common ground found in all three entities and that is an inner dialogue that occurs in every one of us. The result of which is conveyed onto the photographic paper. 4) Why would you choose to photograph Greece rather than another country? Greece is our point of reference. Having travelled all over the world we realized Greece’s diversity has nothing to be jealous of from any other place on earth. Wherever we find ourselves we always have a desire to return home. For us the word home is not confined to a specific village or city, but to the entire terrain of Greece. However, we never say no to a new challenge and the opportunity to discover something new. Travelling should be one’s purpose as it is a way to break free from many barriers and stereotypes. 5) Which place would you next like to photograph in Greece? Dimitris: anywhere Petros: Ikaria, definitely Konstantinos: It is already happening on all the inhabited islands of the Aegean! 6) What would you advise other photographers who would like to photograph Greece?   Wherever they wish to photograph, they must give time to discovering the place for themselves – preferably on foot.

15/06/2022
Opposite or Next to?

It takes a lifetime to discover Greece,

but it only takes an instant to fall in love with her.

—Henry Miller

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